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SUPERB!! I guess don't need to say more. I didn't find any weakness of this lens, color, sharpness, macro capability just excellent, if compare all this features with other 300 mm lens this is the number one. Better than Carl Zeiss Jena Sonnar 300mm f/4, Pentacon/Meyer Orestegor 300mm f/4 , Nikkor 300mm f/4.5 AI or Tair 3S.
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A lens with an angle of view so wide that it can capture very much of the life around us in a single frame – this is what the name originally means.
Typical Biogon® lenses:
A focal lenght only half the diagonal of the film frame, produced with an almost symmetric lens design of surprising compactness, featuring the typical advantages of symmetrical lens designs: distortion is extremely well controlled, and so is color correction and image field flatness.
Combined with extreme precise manufacturing these properties make for an outstanding wide angle optic with high resolution, an excellent documentation tool.
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Small handy like an 50mm lens. Very well built professional lens like all Nikkor AIS. In my opinion ideal to use for portraits , not very sharp at wide open , but not soft at all. Excellent choice for portrait photography to make smooth skin tone.Some people has strong criticism about this lens , they said optical quality is not reach the highest level like 85mm Nikkor-H 1.8 have. I have both lens, I don't think so this lens weaker this is an excellent lens from every point of view.If you want ultimate sharpness take Nikkor 105mm f2.5 AIS instead of this lens. Quiet large f/2 maximum aperture is helpful in shooting indoor or in low light environment. Subtle blurring of the background for beautifully natural and evocative picture.Works perfect with any DSLR camera what can adopt Nikkor lenses and film cameras.I tested this lens with Olympus-E1 and Nikon FA.
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These cameras takes 4,5V battery what is long time ago not in production.To find any is not an easy job. This article will guide throw how you can make an own replacement solution.
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Generally speaking, a wide-angle lens is used for producing panoramic landscapes and shooting in cramped interiors. The super wide-angle amplifies the effect by intensifying perspective and providing greater depth of field.The 28mm lens, not long ago looked upon as the typical "super" wide-angle, is now considered almost a "normal" wide-angle lens. |
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The fisheye lens produces some extremely unusual photographs. Deriving its name from an angle of view closely associated with that of a fish's eye, this type of lens was originally manufactured because its 180° angle could record celestial observations of an entire hemisphere. The exaggerated fisheye world can be seen in the finder of the SLR camera and this lens is now commonly used for creative photography.
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Changing the angle of view: Using lenses of different focal lengths changes the area covered in the photograph, The longer the focal length of the lens, the smaller the angle of view; the shorter the focal length, the larger the angle of view. |
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I don't have yet this lens, if you have it please let me know your opinion and donate my work with 12 pcs 5-6 MP images taken with this lens. To contact please click here ! |
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It has always been one of my dreams to get this lens. There aren't many available on the market . It looks like a medium format lens, but made with an M42 mount. Its a bit heavy and quite inconvenient to use as you need to hold the lens not the camera body as usual. It is a very sharp lens, even at wide open and pretty fast too. It has outstanding image quality, rendering nice colours, if you ever see pictures taken with this lens you will be falling in love with the oldies. This lens started me off using vintage lenses on DSLR's. If you ever have a chance to grab it, do it! Even if it looks ugly, all pieces are excellent I have never heard from a bad opinion from anyone about this lens.
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A lens is good enough to take pictures. In reality, however, cameras capable of replacing lenses and lenses of different focal lengths are supplied in quantity. So why interchangeable lenses? The answer is that every lens has its own angle of view which corresponds to its focal length. This allows the photographer to interpret and/or record each subject individually.
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Written by Richard D.
Introduced in 1977, along with the AI 1.4, the 50mm f2 ai was only available for a short time but marked the start of the AI era and due to it's relative low cost sold in large numbers. Optically it was essentially unchanged from the pre-AI version.
It's a classic Nikkor of the period, very solidly built with a precise well marked focus ring that exhibits the lovely smooth viscosity of the best Nikkors. Aperture stops are firm with no looseness. |
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