All-round color slide film for every outdoor shooting situation: snapshots, landscapes, and portraits. Fine grain, brilliant and natural colors.
FUJICHROME Sensia 100 [RA] is an ISO 100 high-image- quality daylight color reversal film. Features of this film include beautiful skin tones, natural and true-to-life color reproduction, and smooth textural depiction. Its high color-temperature tolerance during exposure makes it easily and widely applicable for slide production not only for snapshots, scenery, and other general photography, but also for medicine-, science-, and industry-related photography. Sensia 100 is ideally suitable for slide projection and for making big enlargements, as well as for printing on FUJICHROME paper and making high-quality duplicates using duplicating film.
Less known lens than famous SMC Takumar and lot more rare.Very well built mechanically, real competitor of many famous lens like Carl Zeiss Jena Pancolar 1.8/80mm or Nikkor 85mm f1.8 Perform well as short tele-photo lens. Amazingly sharp even at wide open,it has beautiful color rendering, nice bokeh. I love this lens it's draw magnificant images like a paint for story books. It has very own character.
This problem is hard to fix . You have to remove each blade of the diaphragm and then remove any "grease" dirt from them with "gasoline" for lighters (or "dry" solvents) and inspect the blades to see if they are not oxyded on their edges ! Then , you have to polish the blades with polishing media , then clean one more time with dry solvent and if your polishing give a too "blank" aspect , you have to "reblue" the steel with a gun blueing chemistry.
This lens was introduced in 1979, as the final evolution of the reflex version of Summicron 50, probably the most successful Leica lens of modern times.
Compared to the first version of this lens, released in 1964, this third version features, just like the second version (introduced 1976) a completely recalculated optical scheme, and a completely different barrel design. The most important change is of course the optical redesign, which improves the performance of the lens wide open, and improves the sharpness too, perhaps (like someone says) a little at the expense of wide open bokeh. There is no optical difference between the second and third version of the lens, the latter one being compatible only with the R reflex cameras (thus not any more with Leicaflexes).
SUPERB!! I guess don't need to say more. I didn't find any weakness of this lens, color, sharpness, macro capability just excellent, if compare all this features with other 300 mm lens this is the number one. Better than Carl Zeiss Jena Sonnar 300mm f/4, Pentacon/Meyer Orestegor 300mm f/4 , Nikkor 300mm f/4.5 AI or Tair 3S.
Small handy like an 50mm lens. Very well built professional lens like all Nikkor AIS. In my opinion ideal to use for portraits , not very sharp at wide open , but not soft at all. Excellent choice for portrait photography to make smooth skin tone.Some people has strong criticism about this lens , they said optical quality is not reach the highest level like 85mm Nikkor-H 1.8 have. I have both lens, I don't think so this lens weaker this is an excellent lens from every point of view.If you want ultimate sharpness take Nikkor 105mm f2.5 AIS instead of this lens. Quiet large f/2 maximum aperture is helpful in shooting indoor or in low light environment. Subtle blurring of the background for beautifully natural and evocative picture.Works perfect with any DSLR camera what can adopt Nikkor lenses and film cameras.I tested this lens with Olympus-E1 and Nikon FA.
I don't have yet this lens, if you have it please let me know your opinion and donate my work with 12 pcs 5-6 MP images taken with this lens. To contact please click here !
MFlenses.com did start a camera, lens, accessories repair service. Our technicians have 20+ years experience to fix all kind of photographic equipments.
We specialize in photography equipment, including all type of cameras well as lenses for all brands. We repair and service all brands and models of cameras, including film and digital. We do conversion on lenses to different mounts. We have quality technicians in Hungary and in UK (http://www.cameraserviceone.com)
If you have any questions as to whether or not we can repair a specific type of equipment, just drop an email to us. We are located in Hungary, Budapest. You need to count postal costs for both way!
A lens with an angle of view so wide that it can capture very much of the life around us in a single frame – this is what the name originally means.
Typical Biogon® lenses:
A focal lenght only half the diagonal of the film frame, produced with an almost symmetric lens design of surprising compactness, featuring the typical advantages of symmetrical lens designs: distortion is extremely well controlled, and so is color correction and image field flatness. Combined with extreme precise manufacturing these properties make for an outstanding wide angle optic with high resolution, an excellent documentation tool.
These cameras takes 4,5V battery what is long time ago not in production.To find any is not an easy job. This article will guide throw how you can make an own replacement solution.
Generally speaking, a wide-angle lens is used for producing panoramic landscapes and shooting in cramped interiors. The super wide-angle amplifies the effect by intensifying perspective and providing greater depth of field.The 28mm lens, not long ago looked upon as the typical "super" wide-angle, is now considered almost a "normal" wide-angle lens.
